造物!, 的奇迹

剧情简介

Wunder der S_chöpfung .i#s_ /an* $:extrao([#:rdinary+-=(,^) fa^\ s*cinating Ku [].ltu@+(?rfilm trying _(to @ exp_ ,lain the whole!$ hum^/%a`* n(( knowled
!g@:;e o:#. f the 1920s,$ about the world and t[$ h:e universe*. !)-![15:. sp;`ec[_ial ef] fects [expe.%_r/ts a(*\nd 9 cameramen ;we*@re in \vol`(!ved in the%@ produc
_]ti%
on of this\ film which combin,es
do\#^\cume ntary @scenes, histori-_cal d`ocuments, fic! tion element?s,%*_ animatio=n %scenes a?;nd e(ducational imp%act. It ?its bea\+^utifully c^`olored, us
ing tinting and :(toning in a v,%*ery elabora#=ted way!\. Some visual + ideas in t@ he [s?eque
/;nces( with a sp ([:ace shut(-tle vis--iting d(if,ferent *planets in the universe=#@ seem to )h[\ave to be the inspiration for Stanley) Kubric:k's 2001 A Spa=*ce Odyss
*e]@y.　+　I^@n the con=te[#]
xt`= of Germ@any's Kulturfilm $@phenomeno:n, W#*under de:r Schöpfun g was am+.o(%@ ng t
;?=he greatest achi-^]evement+;*(s o*+# *f th(;^/e 192=$(0s. T[.he produc .tion was c^ (onstruct.ed, rehears+ed, and sh`,$-ot over
\a period of t?=;w;o and a half years, unde ,.^r th/e supervis-_i]on of Hanns -W# alter Kornblum. Th#e idea to;
. descri!, /be t%he_= unive]r/$se and m---an' -s place in it we. _ll suit(ed ( UFA's? $Grossfi\-lm me#\#ntality, one year/- befo
\:%r;e the Metropol/i$^s catastrop;_he. Hundred! .;%s of skilled ]-c^/raft?smen% participated in the proj` ect, b@(ui^lding 
@props and c!onstructing scale m[;o.\d
e;`=l\s`_ drawn b\y -1+ 5 :special$# .#\eff@*ects d
,#rau;ghtsmen, whil-e 9 camerame\ n in s\]$^eparat]e units worked o,.+_n the historic?al,.? documentar.!y,- fi#^ction, animation, and sci;@ence#-[^f;@iction s=e quence,]$s. Without star rol?e`[s or e%ven protagonists, t$he f# ilm's plot is; c[r
+owded with? me/]ticulously stru
-c#]tured and _*^ skill ^[ful
@?ly a\ cted single .scenes _]a`-n artfu-`l mosai]$c of :small vigne_[ ttes. No les^_s than four credited **@univer]\,sity* prof#^esso,[rs$! +\]ensured th.e factu)(al $ +;(back-/+#gr /ound?
)# b
ehi/ nd the sc ien/:\]tific (!and historical eve? nts $po ?rtrayed-[.　　=-The film's symbol of /[/progress and the ne:$=w scientific era is a spacecraft, trave;lli^@ng t,?hroug: .h the Mi[#
lky Wa ,y, _ making all the planets and t/%heir )] inspiring worlds fa?milia\r to us,/#$ with the extravaganza of t\ heir distinctive! feat%(ur` es. T)!he film's ed:ucatio:`na
l?! inte]nti]ons, however,:) become steadily m
ore obscu`re, humorous, o*r- @even +c$[amp$[,y=,? as this [`popu: la.$%riz;ation: projec?=[t pro ;[;cee/ds. With th)`e excuse of p \+!r$esenting the -end of the $ w,_;/orld]@\ a not-s/`-]o-new con;@cept as !a new, unden iab#ly scientific t[ruth,! the fi.lm veers hap]  pily alo
ng a ..new+: path, displayi \ng detailed =^= ap*!oca]_ly`.*pti)c scenes of t]#/^he en)_d of mankind. For today's a+udience)s,? this / amazing^ fi$lm :demons *trates !:how%_
 the universe was comprehended in the 1920s;, $_and+)  how th at v;iew was sold to co%ntemp--orary audiences.